post_page_cover

Confession | Film Threat

Apr 28, 2023

When you step off the path of righteousness for so long, is there any chance of coming back? That question is asked in writer-director Anastasia Norenko’s short film Confession.
Our tale opens in a Russian Church in the late 19th century. A priest (Eduard Chekmazov) is attending to the great hall of his parish. Slipping through the darkness is a sinner (Ivan Shibanov), who the priest invites closer to the warmth of the church’s candles. The man steps forward, out of the shadows, in confession of his sins.
This man was once righteous following the way of God, but he stepped off the path into sinful life and a faith that faded over time. As a result, the sinner now finds himself at the darkest point in his life. The once righteous man wonders if his life were to end would he spend an eternity in torment, or would he rest in peace?

“…once righteous following the way of God, but he stepped off the path into sinful life…”
Confession is based on a poem written by Norenko. The film is a poem performed by Ivan Shibanov. He speaks in an almost Shakespearean fashion as the sinner expresses the thoughts that have been swirling in his mind over years of sinful living. It all culminates in its first and final recitation at this moment.
The sinner’s story is told in a single shot without edits. Norenko adeptly choreographs her play between not just the priest and the sinner but with camera movements as the sinner makes full use of the church. Not to burst the bubble, but the ADR sometimes doesn’t quite match up. These moments are small, and yes, I’m nitpicking a bit.
That said, the film rests upon Ivan Shibanov’s haunting performance as a tortured man looking for rest on this earth in hopes that his rest will be eternal as well. But does he believe he deserves such? Was God even there when he walked off the righteous path? Shibanov’s confession is aided greatly by not only Norenko’s production choices in the church but her use of candles to light the scenes. The setting of Confession brilliantly matches the grave tone of the sinner’s words.
For screening information about Confession, visit Anastasia Norenko’s official website.

Disclaimer: This story is auto-aggregated by a computer program and has not been created or edited by filmibee.
Publisher: Source link

YOU MIGHT ALSO LIKE
The Running Man Review | Flickreel

Two of the Stephen King adaptations we’ve gotten this year have revolved around “games.” In The Long Walk, a group of young recruits must march forward until the last man is left standing. At least one person was inclined to…

Dec 15, 2025

Diane Kruger Faces a Mother’s Worst Nightmare in Paramount+’s Gripping Psychological Thriller

It's no easy feat being a mother — and the constant vigilance in anticipation of a baby's cry, the sleepless nights, and the continuous need to anticipate any potential harm before it happens can be exhausting. In Little Disasters, the…

Dec 15, 2025

It’s a Swordsman Versus a Band of Cannibals With Uneven Results

A traditional haiku is anchored around the invocation of nature's most ubiquitous objects and occurrences. Thunder, rain, rocks, waterfalls. In the short poems, the complexity of these images, typically taken for granted, are plumbed for their depth to meditate on…

Dec 13, 2025

Train Dreams Review: A Life in Fragments

Clint Bentley’s Train Dreams, adapted from Denis Johnson’s 2011 novella, is one of those rare literary-to-film transitions that feels both delicate and vast—an intimate portrait delivered on an epic historical canvas. With Bentley co-writing alongside Greg Kwedar, the film becomes…

Dec 13, 2025