Greta Gerwig Explains What Barbie’s Bench Scene Really Means (& Casting An Oscar Winner As The Old Woman)
Aug 1, 2023
Summary
The bench scene in Greta Gerwig’s Barbie movie is the heart of the film, depicting Barbie’s first encounter with aging and the beauty she finds in it. The scene is important in informing Barbie’s decision to leave the perfect world of Barbieland and embrace the discomforts of the human experience. Gerwig emphasizes the significance of women talking to each other through generations and challenges the idea that everything needs to be optimized, highlighting the positives in the breakdown of things like aging.
Greta Gerwig explains what the Barbie movie’s bench scene really means and the story behind the casting. Co-written and directed by Gerwig, the film follows Margot Robbie’s Stereotypical Barbie who is suddenly stricken with worries about death and leaves the utopian Barbieland in search of self-discovery in the real world. In Venice Beach, Barbie finds herself on a bench next to an elderly woman, and the two have a brief back-and-forth.
During a recent appearance on the Kermode & Mayo’s Take podcast, Gerwig explained what Barbie’s bench scene actually means. The director also explained that the elderly woman on the bench is played by a friend of hers, Ann Roth, a legendary Oscar-winning costume designer for The English Patient and Ma Rainey’s Black Bottom. Read Gerwig’s full explanation below:
She looks at a woman who is actually a friend of mine, brilliant costumer Ann Roth. She was 91 when we shot that. She’s looking great. She did the costumes for Midnight Cowboy and Klute. She’s a legend. I think she’s one of the oldest people to ever win an Oscar, recently. Anyways, she’s fabulous and I had to really promise to have a lot of martinis with her to get her to do this movie.
Barbie’s sort of looking around at the world and then looks at her and takes her in, and she’s never seen aging before, and she’s struck by her, and she says, “You’re so beautiful,” and Ann, as this woman says, “I know it.” It’s such a wonderful moment because A) Ann is fabulous and B) it’s just this kind of connection through time and I think one thing I’m always interested in as a filmmaker is women talking to each other through generations. I think that’s fascinating to me and it’s this first glimmer of humanity with idealization of this is the ideal way that someone looks or is.
Even with optimization, like “We’re gonna make you better stronger faster.” There’s this hysteria around maximizing everything and I think sometimes the part where you age or things break down isn’t without its own beauty. I always think of the paintings that Monet made when his sight was going and they’re unbelievably beautiful, so I don’t know that everything always has to be optimized.
Why Barbie’s Bench Scene Is So Important
Despite being one of its standout moments, Gerwig had to fight to keep Barbie’s bench scene from being cut, which she calls “the heart of the movie.” Even though it may be not vital to the plot, the short scene does depict something important about Barbie – she’s never seen aging before. When confronted with the sight of an elderly woman for the first time, Barbie isn’t repulsed or frightened, but she sees the beauty in this unpleasant aspect of this uniquely human experience and is comforted by the confidence and effortless self-affirmation of her response, “I know it!”
The bench scene also subtly plants the seeds for the Barbie movie ending and is crucial to informing the main character’s decision. Rather than remaining in the utopia of Barbieland, a plastic paradise where everything is perfect, Barbie decides to become human despite all its discomforts like aging and death. Just like the scene on the bench, Barbie is able to look past this and see the beauty of the human experience, and rather than fearing death, realizes that it can give meaning to life.
Source: Kermode & Mayo’s Take
Publisher: Source link
Dishonest Media Under the Microscope in Documentary on Seymour Hersh
Back in the 1977, the legendary investigative journalist Seymour Hersh shifted his focus from geopolitics to the world of corporate impropriety. After exposing the massacre at My Lai and the paid silencing of the Watergate scandal, Hersh figured it was…
Dec 19, 2025
Heart, Hustle, and a Touch of Manufactured Shine
Song Sung Blue, the latest biographical musical drama from writer-director-producer Craig Brewer, takes a gentle, crowd-pleasing true story and reshapes it into a glossy, emotionally accessible studio-style drama. Inspired by Song Sung Blue by Greg Kohs, the film chronicles the…
Dec 19, 2025
After 15 Years, James L. Brooks Returns With an Inane Family Drama
To say James L. Brooks is accomplished is a wild understatement. Starting in television, Brooks went from early work writing on My Mother the Car (when are we going to reboot that?) to creating The Mary Tyler Moore Show and…
Dec 17, 2025
Meditation on Greek Tragedy Explores Identity & Power In The 21st Century [NYFF]
A metatextual exploration of identity, race, privilege, communication, and betrayal, “Gavagai” is a small story with a massive scope. A movie about a movie which is itself an inversion of classic tropes and themes, the film exists on several levels…
Dec 17, 2025






