Je’vida Featured, Reviews Film Threat
Jan 3, 2024
In the current age of big-budget Marvel films, Avatars, and Disney CGI-fest remakes, we are conditioned to think the bigger, the better, the more CGI, the better, but if you use both sides of your brain, you’ll know this couldn’t be further from the truth. Writer/Director Katja Gauriloff’s film Je’vida captures everything on camera and provides a taste of clean water in the film age of Coca-Cola.
After her sister dies, Lida (Sanna-Kaisa Palo) returns to her childhood home with her niece Sanna (Seidi Haarla). As part of her passing sister’s estate sale, they begin to clear out the house. Sanna yearns to learn of her mother’s and her family’s past, but Lida coldly ignores her as she is visibly shaken by being there herself. As Lida begins burning photographs and mementos, the audience is taken into her memories as a child growing up in an isolated cabin with her mother, sister, and grandparents in post-Russo-Finnish war Finland.
“…desires to both remember and forget the past ultimately bring Lida and Sanna to a point of catharsis…”
Lida, whose birthname is Je’vida, is part of the small Skolt Sámi community, of which there are approximately 300 speaking today. Je’vida’s simple life is forever changed as she goes from spending her days among her close-knit family and community to being forced to enter a boarding school, which becomes a traumatic experience of cultural assimilation. Je’vida runs away from the boarding school and returns to her home, where she remains until her mother dies during childbirth.
The story then jumps in time to Je’vida, now a young woman, going by Lida, signifying her full assimilation into the modern age. Lida meets an engineer, whom she plans to move south to marry, puts her grandmother (Matleena Fofonoff) in a nursing home, and leaves for a happy life. Returning to the present day, it is clear Lida is anything but happy, though we do not know what resulted in that hopeful trip south. Their desires to both remember and forget the past ultimately bring Lida and Sanna to a point of catharsis as they are both reminded of what is truly important in life.
Publisher: Source link
After 15 Years, James L. Brooks Returns With an Inane Family Drama
To say James L. Brooks is accomplished is a wild understatement. Starting in television, Brooks went from early work writing on My Mother the Car (when are we going to reboot that?) to creating The Mary Tyler Moore Show and…
Dec 17, 2025
Meditation on Greek Tragedy Explores Identity & Power In The 21st Century [NYFF]
A metatextual exploration of identity, race, privilege, communication, and betrayal, “Gavagai” is a small story with a massive scope. A movie about a movie which is itself an inversion of classic tropes and themes, the film exists on several levels…
Dec 17, 2025
The Running Man Review | Flickreel
Two of the Stephen King adaptations we’ve gotten this year have revolved around “games.” In The Long Walk, a group of young recruits must march forward until the last man is left standing. At least one person was inclined to…
Dec 15, 2025
Diane Kruger Faces a Mother’s Worst Nightmare in Paramount+’s Gripping Psychological Thriller
It's no easy feat being a mother — and the constant vigilance in anticipation of a baby's cry, the sleepless nights, and the continuous need to anticipate any potential harm before it happens can be exhausting. In Little Disasters, the…
Dec 15, 2025







