“Most of Us Went to the Front for the Sake of our Children’s Future”: Alisa Kovalenko on her CPH:DOX-debuting My Dear Théo
#image_title “Kids and sweet love are the most important thing. And not all...
“Artistically Reflecting on Women’s Rights Within Religion is an Act of Resistance Itself”: Arash T. Riahi and Verena Soltiz on Their CPH:DOX-Premiering Girls & Gods
Girls & Gods (Photo ©Golden Girls Film) Arash T. Riahi and Verena Soltiz’s...
“Getting Along with Bodyguards is Crucial!”: Tommy Gulliksen on His CPH:DOX Opening Night Film Facing War
Facing War Tommy Gulliksen’s Facing War follows Jens Stoltenberg in the final year...
“It Felt As If She Were Actually Speaking to Me About This Film”: Rachel Mason on Last Take: Rust and the Story of Halyna
Last Take Rachel Mason’s Last Take: Rust and the Story of Halyna makes...
“… The Visual Approach of the Documentary is Deeply Influenced by Amish and Mennonite Norms”: Elaine Epstein on her SXSW-Premiering Arrest the Midwife
Arrest the Midwife As its nonsensical title might imply, Elaine Epstein’s Arrest the...
“Women Like Gail are Often Vilified in the Media as Cold-Blooded Killers and Even Monsters”: Jessica Earnshaw on her SXSW-Debuting Baby Doe
Baby Doe Baby Doe is the latest from Jessica Earnshaw, whose Jacinta won...
“Maybe an Individual is Only as Interesting as the Energy Surrounding Them”: Angelo Madsen on His True/False-debuting A Body to Live In
From A Body to Live In Angelo Madsen’s A Body to Live In...
“He Realized It Was Useful to Stop Running From the 500 Pound Maus Chasing After Him”: Molly Bernstein and Philip Dolin on Art Spiegelman: Disaster is My Muse!
Art Spiegelman: Disaster is My Muse! Molly Bernstein and Philip Dolin’s Art Spiegelman:...
“Meredith Understood That I Needed the Freedom to Create My Own Interpretation of Her Work and Life”: Billy Shebar on his Berlinale-Premiering Meredith Monk Doc, Monk in Pieces
Monk in Pieces (Courtesy 110th Street Films) Billy Shebar’s Monk in Pieces stars...
“Making Films in Iran Is Not an Easy Task at All”: Sara Khaki and Mohammadreza Eyni on their Sundance-debuting Cutting Through Rocks
Still from Cutting Through Rocks. Courtesy of Sundance Institute. Sara Khaki and Mohammadreza...
“There Was a Fair Amount of Us All Killing Each Other”: Sam Crane and Pinny Grylls on Grand Theft Hamlet
Grand Theft Hamlet Grand Theft Hamlet, which took the Documentary Feature Jury Award...
“It Was Crucial to Bring a Native Lens into Each Area of the Creative Roles”: Jonathan Olshefski and Elizabeth Day on Without Arrows
Without Arrows Delwin Fiddler Jr., star of Jonathan Olshefski (a “25 New Face”...