“I Like to Channel Musicality Into the Act of Editing”: Editor Adam Dicterow on Mutt
Mutt, courtesy of Sundance Institute. Feña (Lío Mehiel) is a 20-something trans guy...
“I Like To Edit Ideas, Not Sequences”: Editor Geraldine Mangenot on Other People’s Children
Virginie Efira and Callie Ferreira Goncalves in Other People’s Children In Other People’s...
“Remember To Let Go of the Plan Now and Again”: Editor Andrew Bowser on Onyx the Fortuitous and the Talisman of Souls
Onyx the Fortuitous and the Talisman of Souls Courtesy of Sundance Institute. Andrew...
“The Role of an Editor Is Similar in Many Ways to a Good Translator”: Editor Simon Price on Bad Behavior
Bad Behavior, courtesy of Sundance Institute. In Bad Behavior, the feature debut from...
“The Feeling of Interconnectedness We Share as Humans”: Editor Chris McNabb on Invisible Beauty
Invisible Beauty, courtesy of Sundance Institute. The impressive life and career of model...
“Rules Are Perhaps the Most Useful Ally in Creativity”: Editor Meredith Perry on PLAN C
PLAN C, courtesy of Sundance Institute. During a period of horrifying restrictions on...
“Our Process Revolved Around Letting the Kids Be Kids”: DP Molly Manning Walker on Scrapper
Scrapper, courtesy of Sundance Institute. Ever since her mother’s death, 12-year-old Georgie (Lola...
“I Knew It Would Be an Amazing Journey To Go On”: DP Annemarie Lean-Vercoe on Is There Anybody Out There?
Is There Anybody Out There?, courtesy of Sundance Institute. Filmmaker Ella Glendining has...
“A Joyful Film About a Complicated, Well-Lived Life”: Editor Tal Ben-David on Judy Blume Forever
Judy Blume Forever. Directors Davina Pardo and Leah Wolchok examine a YA literary...
“I Use Split Screens as a Tool for Ensuring Any Performance Can Be Used”: Editor Franklin Peterson on Fair Play
Alden Ehrenreich and Phoebe Dynevor in Fair Play The subject of a bidding...
“What Would the Spirit of These Influences Feel Like in Orange County?” DP Michael Fernandez on The Accidental Getaway Driver
The Accidental Getaway Driver Collateral meets The Desperate Hours against the backdrop of issues...
“A Rom-com That Knows Exactly What It Is”: Editor Victoria Boydell on Rye Lane
Vivian Oparah in Rye Lane Director Raine Allen Miller brings a fresh feeling...