Painkiller Editor Geofrey Hildrew Was Told to Be Fearless in the Editing Room
If the facts don’t rattle you, then surely Painkiller, the new Netflix miniseries...
Elsie Fisher, Rain Spencer Interview
The Big Picture Returning to Cousins Beach is bittersweet after the loss of...
Costume Designer Ruth E. Carter on Her Career and New Book
A sketch by Ruth E. Carter for the costumes of Black Panther: Wakanda...
The Last Voyage of the Demeter Producers Discuss the 23-Year Journey to Make the Vampire FIlm
Dracula’s hot. The bloodsucker always has been, it seems, dating back cinematically for...
Why Dracula Looks So Good in the Movie
The Big Picture Director André Øvredal discusses making The Last Voyage of the...
‘Aporia’ Director on Casting Judy Greer & Crafting a Time Machine
The Big Picture Aporia is a sci-fi thriller that feels grounded in reality,...
The Last Voyage of the Demeter Crew Built a Functioning 100-Ton 19th Century Ship
Summary Universal Pictures went all out in bringing The Last Voyage of the...
“I Spent Nearly 14 hours Staring At That Lamp”: DP Paul Yee on Joy Ride
Sabrina Wu, Ashley Park, Stephanie Hsu and Sherry Cola in Joy Ride When...
Alia Bhatt Gets Real About Her Heart of Stone Character
Ask people in the West, and Netflix’s upcoming action blockbuster Heart of Stone...
Tiffany Haddish on Her Messy Flashback Episode
The Big Picture Detective Danner’s return in Season 2 of The Afterparty brings...
“I Realized This Was a Film Not Necessarily About Things Seen…But Things Felt”: Elaine McMillion Sheldon on King Coal
King Coal Like many Filmmaker readers, I first encountered the work of Elaine McMillion...
The Pod Generation Director Sophie Barthes Discusses Love, Marriage, and AI
The Pod Generation is a sci-fi comedy about a couple using an artificial...