Michael Shanon on Returning as Zod in ‘The Flash’ and ‘George & Tammy’
With selections for Emmy nominations on the horizon and officially announced in July,...
Blue Jean Filmmaker Georgia Oakley on Her ’80s-Set Queer Drama
LGBTQ+ Pride Month is upon us, a perfect time to celebrate queer cinema...
Michelle Yeoh Reveals How She Chooses Which Franchises To Be a Part Of
From her roles in Hong Kong action films in the 90s to appearing...
‘Never Have I Ever’ Cast on Season 4 and Team Paxton Versus Team Ben
[Editor’s note: The following contains major spoilers for Season 4 of Never Have...
Dermot Mulroney Adds a Race Redemptive Aspect to Shooting Stars
Shooting Stars is a coming-of-age film and basketball biopic about the comeuppance of...
How They Made a Predator Movie for Fans, Newcomers & Awards Season
Prey is a huge win for the Predator franchise for a multitude of...
Larry Fessenden and Kristina Klebe on the Horror of War and Ghosts in Brooklyn 45
You ever been to one of those Christmas parties, where the host is...
Talking Green Lantern: Beware My Power With The Cast And Creatives At SDCC
During our coverage of SDCC I spoke with...
“I Cried a Lot During the Edit”: Jude Chehab on Tribeca ’23 Premiere Q
Q Award-winning DP Jude Chehab’s cinematographic talents are on full display in her...
Rise of the Beasts’ Liza Koshy on Making Franchise History
For fans of the franchise, Transformers: Rise of the Beasts brings a lot...
FROM Season 2 Chloe Van Landschoot Interview
Thank you for checking out our FROM Interview with actress Chloe Van Landschoot....
“At the End of the Movie You Have Nine Different Deliverables to Time”: Roger and James Deakins on Still Photography, LUTs and Previs
Carnival Lights, Hatherleigh, 1971 (photo by Roger Deakins) Cinematographer Roger Deakins—CBE, ASC, BSC...