“I Wanted the Camera To Be an Actor”: DP Johan Aidt on Poacher
Poacher, courtesy of Sundance Institute. In Poacher, the limited series from director Richie...
Alison Brie Talks ‘Somebody I Used to Know’ and the ‘Community’ Movie
From co-writer/director Dave Franco, the unconventional love story Somebody I Used to Know...
How to Maintain Your Body in the Camera Department According to Movement Specialist Liz Cash
Liz Cash giving a presentation In “The Body is a Tool,” I talked with...
Huesera Director Michelle Garza Cervera on the Themes Behind Her Horror
Michelle Garza Cervera has made some polished, creepy short films, but she truly...
The Last of Us Show’s Lamar Johnson on Henry and Sam & What Made Him Cry
Editor’s note: The following contains major spoilers for Episode 5 of The Last...
“Everything Looks Better if You Throw Some Dirt and Blood on It”: Robbie Banfitch on The Outwaters
Scott Schamell in The Outwaters. Microbudget independent horror is certainly having a moment....
At Midnight Star Diego Boneta and Director Jonah Feingold on Their Spirited New Rom-Com
What happens when an ambitious hotel manager meets a gorgeous movie star whose...
All the Connections to ‘Searching’ You Might Have Missed
As though making a feature film with a traditionally formatted narrative isn’t difficult...
Independence Day: Resurgence Interviews
Mark S Allen was on set, geeked out by the fact that he...
“The Process Is Similar to the One I Go Through When I Direct”: Editor Babak Jalali on Fremont
Anaita Wali Zada in Fremont (Photo by Laura Valladao) In Fremont, the latest...
‘Strays’ Director on Working With Will Ferrell for R-Rated Dog Comedy
From director Josh Greenbaum, the brains behind 2021’s Barb and Star Go to...
“Our Cinematography Hopefully Emphasizes the Elegance of Mariachi”: DP Michael Crommett on Going Varsity in Mariachi
Going Varsity in Mariachi. Competitive scholastic mariachi in South Texas is the subject...