Ke Huy Quan Kicks Ass, But It’s Marshawn Lynch Who Steals This So-So Show
Let it never be said that Ke Huy Quan, the longtime actor and...
I Couldn’t Help But Laugh Throughout Ke Huy Quan’s Enjoyably Campy Valentine’s Day Actioner Despite Major Flaws
There have been quite a few films lately tackling the romance genre, and...
Amy Schumer’s Netflix Rom-Com Births Heart and (Sometimes) Humor
For many studio comedies, a “white” lie is generally front and center. From...
Mother Knows Best in Netflix’s Eerie Psychological AI Thriller
One of the strongest arguments in favor of television’s streaming-heavy landscape is the...
‘Two Women’ Review: Housewives Struggle With Monogamy and Married Life in Charming Comedy
Let’s be real: the institution of marriage has been well-deconstructed in the digital...
Frankie Muniz Battles AI and Mommy Issues in Tedious Sci-Fi Slog
As Artificial Intelligence becomes more prevalent in our daily lives, for better or...
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The Mysterious Sly Stone Is Somewhat Unpacked In Questlove’s Watchable But Familiar Music Doc [Sundance]
If auteur Terrence Malick had a musical equivalent—a genius recluse who disappeared off the face...
Leighton Meester’s Quirky Small-Town Procedural Is Charming but Slow To Take Off
If there’s one subgenre of the police procedural I’m really enjoying these days,...
‘Bubble & Squeak’ Review: A Movie Cannot Survive on Cabbage Jokes Alone
Every year at the Sundance Film Festival, filmmakers bring their off-the-beaten-path comedies that...
‘Rabbit Trap’ Review: Dev Patel Is Stuck in a Folk Horror Fairytale in This Flawed Directorial Debut
Deep into Rabbit Trap, the directorial debut of Bryn Chainey, a character mentions...
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Kahlil Joseph’s Documentary Is A Brilliant Wonder To Behold [Sundance]
PARK CITY – There is a world in which “BLKNWS: Terms & Conditions,”...
Heart Eyes Review | Flickreel
Slasher movies have capitalized on Halloween, Christmas, Thanksgiving, birthdays, the Fourth of July,...