Til Death Do Us Part
The University has rules. The University has the resources and means to ensure...
Gerard Butler Escapes Afghanistan Without Saying Much
A question comes up part of the way through Ric Roman Waugh’s “Kandahar”...
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Blanchett & Reid Shine In Thornton’s Faith-Testing Drama [Cannes]
Christianity offers the teachings of Jesus in the form of his commandments as...
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Tran Anh Hung Returns With An Awe-Inspiring Ode To Pleasure In All Its Forms [Cannes]
There has been a lot of talk in recent years about cooking as...
Killer Kites | Film Threat
B-movies have long been a staple of movie-going, dating back to the days...
Kléber Mendonça Filho’s Triumphant Return To Documentaries Is A Loving Ode To Cinemas
In 2008, Kléber Mendonça Filho released “Crítico,” a documentary building upon his years...
The Boogeyman Review | Flickreel
The Boogeyman is a horror film that shows up on time, efficiently does...
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Nanni Moretti’s Latest Is A Messy Meta Comedy About Filmmaking [Cannes]
Having previously won the Palme d’Or in 2001 for “The Son’s Room” and...
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Williams’ Feature Debut Is Tolerable But Inconsistent [Cannes]
Sean Price Williams, American cinematographer known for his usage of grain and natural/available...
Thorpe Park Ghost Train Review: An Expensive Fail
We head down to Thorpe Park on the opening day of the reimagining...
Bless Me Father | Film Threat
Bless Me Father is the sophomore feature from writer-director-star Gianni McLaughlin. He produced the...
A Tunisian Mother Loses Her Daughters To Wolves
CANNES: Docudramas are inherently difficult to master. You’re attempting to meld real-life footage...