Swept Off Her Feet: Sean Baker on Anora
Sep 18, 2024
“Tonight, this could be the greatest night of our lives/let’s make a new start/The future is ours to find.” The lyrics of Take That’s 2008 hit “Greatest Day” burst from the soundtrack at the start of Sean Baker’s exhilarating, Palme d’Or–winning eighth feature, Anora. Drew Daniels’ camera tracks across a row of strippers and customers at a Manhattan club before cutting to handheld shots in which one dancer, Anora, or Ani (Mikey Madison), moves from guy to guy, hustling time in the VIP room. (“You don’t have cash? Let’s go to the ATM!”) For the guys, their stacks of twenties […]
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After 15 Years, James L. Brooks Returns With an Inane Family Drama
To say James L. Brooks is accomplished is a wild understatement. Starting in television, Brooks went from early work writing on My Mother the Car (when are we going to reboot that?) to creating The Mary Tyler Moore Show and…
Dec 17, 2025
Meditation on Greek Tragedy Explores Identity & Power In The 21st Century [NYFF]
A metatextual exploration of identity, race, privilege, communication, and betrayal, “Gavagai” is a small story with a massive scope. A movie about a movie which is itself an inversion of classic tropes and themes, the film exists on several levels…
Dec 17, 2025
The Running Man Review | Flickreel
Two of the Stephen King adaptations we’ve gotten this year have revolved around “games.” In The Long Walk, a group of young recruits must march forward until the last man is left standing. At least one person was inclined to…
Dec 15, 2025
Diane Kruger Faces a Mother’s Worst Nightmare in Paramount+’s Gripping Psychological Thriller
It's no easy feat being a mother — and the constant vigilance in anticipation of a baby's cry, the sleepless nights, and the continuous need to anticipate any potential harm before it happens can be exhausting. In Little Disasters, the…
Dec 15, 2025