Diana Bustamante's Our Movie (Nuestra película) Diana Bustamante’s Our Movie (Nuestra película) feels like both a departure and a homecoming for the Latin American producer credited on numerous Cannes winners, most recently Apichatpong Weerasethakul’s Jury Prize-awarded (and Tilda Swinton-starring) Memoria. Comprised…
Read moreThe Volano: Rescue from Whakaari (Courtesy of Netflix) Forget social and political issues—in documentaries, 2022 is shaping up to be the year of the volcano. There was Sara Dosa’s exquisite Fire of Love (which I fell in love with back…
Read moreElwira Niewiera and Piotr Rosołowski's The Hamlet Syndrome One of the more unusual projects to play this year’s DOC NYC (also concurrently screening at IDFA in the Best of Fests section), Elwira Niewiera and Piotr Rosołowski’s The Hamlet Syndrome follows…
Read moreMaxim Pozdorovkin's The Conspiracy From robot-inflicted deaths (2018’s The Truth About Killer Robots) to the rise of Donald Trump through Russian state-sponsored media (2018’s Our New President), Maxim Pozdorovkin recently has taken some unconventional routes down the darkest of rabbit…
Read moreMarusya Syroechkovskaya's How to Save a Dead Friend “Russia is for Russians!” goes the far-right rallying cry. To which Marusya replies, “Bullshit. Russia is for depressed people.” She should know: Moscow-born Marusya Syroechkovskaya spent a dozen years turning her camera…
Read moreSvetislav Dragomirovic's I'm People, I Am Nobody Svetislav Dragomirovic’s debut feature I’m People, I Am Nobody is a film I wasn’t prepared to watch. From its coy DOC NYC synopsis, we learn it’s the story of a 60-year-old retired porn…
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