Tag: netflix
“Establishing the Idea of Ending Scenes Abruptly…”: Editor Greg Jardin on It’s What’s Inside
“Establishing the Idea of Ending Scenes Abruptly…”: Editor Greg Jardin on It’s What’s Inside

Alycia Debnam-Carey appears in It’s What’s Inside by Greg Jardin. Photo Courtesy of Sundance Institute. In the Sundance 2024 Midnight premiere It’s What’s Inside, the feature debut of writer-director Greg Jardin, an uninvited guest with a mysterious suitcase derails a…

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“The History of Racist Ideas”: Roger Ross Williams on Stamped From the Beginning
“The History of Racist Ideas”: Roger Ross Williams on Stamped From the Beginning

Stamped from the Beginning Though I’ve not read Dr. Ibram X. Kendi’s New York Times bestseller Stamped From the Beginning: the Definitive History of Racist Ideas in America, I’m guessing the National Book Award-winner might not be the most obvious…

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“I Don’t Want To Change a Punctuation Mark in This”: The Diplomat’s David Gyasi (Back To One, Episode 252)
“I Don’t Want To Change a Punctuation Mark in This”: The Diplomat’s David Gyasi (Back To One, Episode 252)

Photo by Joseph Sinclair. You’ve seen his work in such films as Interstellar and Cloud Atlas, and television series like Containment and Carnival Row, now David Gyasi plays Austin Dennison in Debora Cahn’s new hit Netflix limited series The Diplomat.…

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“… A 7mm Difference Between Lenses is Actually Quite a Huge Amount…”: DP James Friend on All Quiet on the Western Front
“… A 7mm Difference Between Lenses is Actually Quite a Huge Amount…”: DP James Friend on All Quiet on the Western Front

Felix Kammerer as Paul Bäumer on the set of All Quiet on the Western Front, Courtesy of Netflix. War is young men dying and old men talking. The former lies at the heart of Erich Maria Remarque’s 1928 novel All…

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“Most Films Go Through What I Call an Accordion Process:” Editors Inbal Lessner and Kim Roberts on Victim/Suspect
“Most Films Go Through What I Call an Accordion Process:” Editors Inbal Lessner and Kim Roberts on Victim/Suspect

Below, editors Inbal Lessner and Kim Roberts discuss their work on Nancy Schwartzman’s Sundance-premiering Netflix documentary, Victim/Suspect, her follow-up to the doc Roll Red Roll. The film deals with alleged victims rape and sexual assault who find themselves on the…

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“The Stage Show Would Make for a Terrible Film if I Were to Directly Translate It”: Matthew Warchus on Matilda the Musical
“The Stage Show Would Make for a Terrible Film if I Were to Directly Translate It”: Matthew Warchus on Matilda the Musical

Charlie Hodson-Prior and Meesha Garbett in Matilda the Musical (Courtesy Dan Smith/Netflix) An Olivier Award-winning success in the West End and a Tony Award-winning one on Broadway, the musical adaptation of Roald Dahl’s Matilda now arrives as a toe-tapping motion picture,…

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“Each Second Meant the Difference Between Life or Death”: Rory Kennedy on The Volcano: Rescue from Whakaari
“Each Second Meant the Difference Between Life or Death”: Rory Kennedy on The Volcano: Rescue from Whakaari

The Volano: Rescue from Whakaari (Courtesy of Netflix) Forget social and political issues—in documentaries, 2022 is shaping up to be the year of the volcano. There was Sara Dosa’s exquisite Fire of Love (which I fell in love with back…

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