“But Then My Obsession Went to Darker Things: Joe Coleman and Whitney Ward on Being Subjects in the Tribeca-Premiering Doc, How Dark My Love
How Dark My Love Joe Coleman and Whitney Ward are having a big...
“A Brutal Honesty That Still Feels Poetic”: Walter Thompson-Hernández on His Tribeca World Premiere Kites
Kites In the sprawling favela of Santo Amaro in Rio de Janeiro, Duvo...
“Dark, Difficult, Dank Spaces”: Rob Petit on His Tribeca World Premiere Underland
Underland Based on British author Robert Macfarlane’s non-fiction book of the same name,...
“Shooting in the Fall, Premiering in June”: Travis Wood and Alex Mallis on Their Tribeca Debut The Travel Companion
The Travel Companion Anxieties surrounding flight credits, male friendship and fraught filmmaking prospects...
“Two Strangers Meeting Over Something So Unusual”: Paula González-Nasser on Her Tribeca World-Premiering Feature Debut The Scout
The Scout Back in 2022, a scrappy feat of independent filmmaking came across...
“So Many Sequins!”: Penny Lane on Her Tribeca-Debuting Docuseries Mrs. America
Mrs. America Kudos to Anonymous Content for putting together a project focused on...
“It Became More a Story About How the Artwork, and All the Commotion Around It, Affected His Mental Health”: Ole Juncker on His Tribeca-Debuting Take the Money and Run
Take the Money and Run Ole Juncker’s Tribeca-premiering Take the Money and Run...