Willem Dafoe & Camila Morrone Held Each Other Like Babies for ‘Gonzo Girl’
The Big Picture Patricia Arquette’s feature directorial debut is Gonzo Girl, an adaption...
The Inventor Director Encourages Everyone to Find Their Own Genius Without AI
Artificial intelligence has, controversially, become one of the most insisted upon and yet...
“It’s Disturbing to Me How Relevant They Are”: Gregg Araki on New Restorations and His Teen Apocalypse Trilogy
Nowhere In the late 1980s, Gregg Araki began making movies. He made films...
Ryu Seungryong Talks Moving, the Hit K-Drama, and His Superpowered Character
Disney+ and Hulu have found a bona fide smash hit with the Asian...
“Is There an Orchestra Playing in the Depths of the Glacier?”: Margreth Olin on Her TIFF-Debuting Documentary, Songs of Earth
Songs of Earth My DOX:AWARD top pick for the Ekko jury grid I participated in...
After Everything Composer George Kallis on the Fifth Movie’s Romance and Music
The next installment of the popular After franchise, After Everything, is on the...
Neve Campbell Made a Movie About Icon Who Inspired Her to Become an Artist
The Big Picture Neve Campbell visits Collider’s media studio at the Cinema Center...
Eric Roberts on My Last Best Friend and the One Role He’d Love To Play
In conversation, Eric Roberts is everything you might think he is: gregarious, uninhibited,...
‘Mother, Couch’s Director Spills the Tea on How He Scored His Dream Cast
The Big Picture Mother, Couch is a surreal dramedy about the anxieties of...
Viggo Mortensen on His “Feminist Western” ‘The Dead Don’t Hurt’
The Big Picture Viggo Mortensen and Vicky Krieps discuss their collaborative chemistry and...
Donato Rotunno Says it Took Nearly Six Years to Make Io sto bene
Io sto bene, Luxembourg’s 2022 Oscar Submission for Best International Film, is set...
‘All the Light We Cannot See’s Director on Adapting the Prize-Winning Novel
The Big Picture “All the Light We Cannot See” is a four-part Netflix...