Landscape with Invisible Hand Director Cory Finley on Diversity and Tiffany Haddish
A rare kind of depth and sweetness permeates throughout the new film from...
Medusa Deluxe Filmmaker Thomas Hardiman on Breaking All the Rules in One Take
“Every edit is a lie,” said French filmmaking icon Jean-Luc Godard. If that’s...
Solar Opposites Season 4 Unpacked By Supervising Producer Sydney Ryan
Brace yourselves. Hulu’s hit animated comedy Solar Opposites returns Aug. 14, and not...
‘Good Omens’ Season 2 Production Designer on Expanding Heaven and Hell
The Big Picture Fans of Good Omens have been dissecting every detail of...
Winning Time’s Delante Desouza on His Role in the Rise of the Lakers Dynasty
Note: This interview was conducted prior to the SAG-AFTRA strike. Winning Time: The...
‘Red, White & Royal Blue’ Director on Getting the Love Story Right
[Editor’s note: The following contains spoilers for Red, White & Royal Blue.]From director/co-writer...
Miguel Wants to Fight Director Oz Rodriguez Discusses His Hulu Action Comedy
Looking to put a pacifistic spin on the otherwise hectic and chaotic action...
“We Didn’t Want an Audience Member To Be Able To Say, ‘Oh, That Was Just One Bad Cop’”: Stanley Nelson and Valerie Scoon on Sound of the Police
Sound of the Police Stanley Nelson and Valerie Scoon’s Sound of the Police...
“Rules Stop Me from Daring”: Radu Jude on Do Not Expect Too Much from the End of the World
Ilinca Manolache in Do Not Expect Too Much From the End of the...
Painkiller Editor Geofrey Hildrew Was Told to Be Fearless in the Editing Room
If the facts don’t rattle you, then surely Painkiller, the new Netflix miniseries...
Elsie Fisher, Rain Spencer Interview
The Big Picture Returning to Cousins Beach is bittersweet after the loss of...
Costume Designer Ruth E. Carter on Her Career and New Book
A sketch by Ruth E. Carter for the costumes of Black Panther: Wakanda...