The Omicron Killer Featured, Reviews Film Threat
Some film sequels are like copycat killers. The inspiration is clear, but is...
Damsel Review: A Grim Fairy Tale Beautifully Unraveled
In an era where the lines between classic fairy tale narratives and dark...
Doug Liman’s Remake Is Bigger, Louder, And Slightly Dumber Than The Original
Summary The Road House remake, led by Jake Gyllenhaal, is bigger and louder...
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Kristine Froseth Can’t Escape A Muddled Single Setting Survival Thriller [SXSW]
Confusion and how information is communicated, relayed, and delayed in a thriller can...
‘Cold Wallet’ Review — A Crypto Thriller With an Unfortunately Low Yield
The Big Picture Raúl Castillo stands out despite Cold Wallet ‘s lackluster plot,...
Kung Fu Panda 4 Review: Another Hilariously Awesome Entry
In the pantheon of animated franchises, Kung Fu Panda has carved out a...
The Epic of Gilgamesh Featured, Reviews Film Threat
It’s a brave new world. Last year, the entertainment world here in the...
We Are Wolves Featured, Reviews Film Threat
We found some diamonds in the really, really rough in the excellent lesbian...
‘Magpie’ Review — Forget Star Wars, This Is Daisy Ridley At Her Best
The Big Picture Daisy Ridley shines in Magpie with a perfectly calibrated performance....
An Exclusive Interview with Producer Jonathan Sanger Featured, Reviews Film Threat
In an insightful conversation, Cabrini producer Jonathan Sanger shed light on the making...
‘Family’ Review — This Horror Film Takes “Home Sweet Hell” to Heart
The Big Picture Benjamin Finkel’s debut announces the arrival of a new horror...
‘Timestalker’ Review — Like If ‘Past Lives’ Had Gore and Dildo Jokes
The Big Picture Alice Lowe follows her directorial debut Prevenge with even more...