“There’s a Reason We Call Them ‘Films’ and Not ‘SD Cards’”: Francesco Sossai on His Cannes-Premiering The Last One for the Road
The Last One for the Road The film festival world can be so...
“Anytime I Could Minimize the Use of Verbal Language and Rely on Other Means to Advance the Story, That’s What I Did”: Lloyd Lee Choi on His Cannes-Premiering Lucky Lu
Lucky Lu There’s something about the high-pressure nature of the migrant experience that...
“At the Same Time that We’re Fighting for our Lives, We Are Also Agents of Exploitation, of Domination, of violence”: Pedro Pinho on his Cannes-Premiering I Only Rest In The Storm
I Only Rest in the Storm Pedro Pinho’s Cannes-premiering I Only Rest In...
“A Human-Ghost Relationship Perfectly Fits Within a Queer Framework”: Ratchapoom Boonbunchachoke on his Cannes-Premiering A Useful Ghost
A Useful Ghost Ratchapoom Boonbunchachoke’s Cannes-premiering A Useful Ghost is a multilayered cinematic...