Some actors have a star-making performance, but Jim Carrey had a star-making year in 1994. At that time, Carrey was already making noise thanks to In Living Color, but The Mask helped turn him into a full-blown movie star. For those of us who watched him step into that Edge City bank for the first time over 30 years ago, you could tell he had it. So, it seems, could director Chuck Russell. Speaking with Collider for the 30th anniversary of Eraser for the latest edition of our retrospective series, Collider Rewind, Russell reflected on watching Carrey perform before casting him in The Mask. The filmmaker said seeing him live made it clear that Carrey’s physical comedy worked far beyond what he could do on television. “Yeah. So I’m at The Comedy Store, and I realized what he’d been doing in In Living Color, [which] I’d also been watching, was that he could do live,” Russell told Collider. “I talked to him about it while we were filming The Mask, and he said, ‘If I can imagine it, Chuck, I can physically do it. It’s wild.’ He is a Charlie Chaplin. I knew, ‘This guy’s a comedy genius,’ literally. I bet the farm on Jim Carrey being a great movie star, and New Line finally agreed.”

Russell also revealed that Carrey was not the only major Hollywood discovery of the film. Cameron Diaz, who made her screen debut in The Mask, had never acted before, making the whole project a much bigger risk than it may look in hindsight, but boy, did it pay off. “The other person that I really saw ahead of time was Cameron Diaz, who had never acted before at all,” said Russell. “So, the studio took quite a risk with me, and my encouragement on, first of all, letting that be a comedy instead of a horror film, which was originally how they conceived it, and letting me make it a vehicle for Jim and Cameron. It was kind of risk-reward. We made a movie that was unlike anything that had been seen prior.” Originally, as Russell explained, the plan for the film was something more akin to a horror, which makes a lot of sense given the premise: Stanley Ipkiss puts on the mask and starts robbing banks and leaving bodies in his wake, then the next morning, he has no idea what crimes he’s committed. But there was a very tricky tightrope to walk to make that into a comedy, and Russell pulled it off magnificently. “I wanted to make a literally joyful movie,” Russell explained. “I’d lost my father not long before I got to make The Mask, and I just said, ‘I’m going to have a good time, and I’m going to make sure the audiences have a good time. Let’s get this movie made with Jim Carrey.’”

Collider Exclusive · Sci-Fi Survival Quiz
Which Sci-Fi World Would You Survive?
The Matrix · Mad Max · Blade Runner · Dune · Star Wars

Five universes. Five completely different ways the future went wrong — or sideways, or up in flames. Only one of them is the world your instincts were built for. Eight questions will figure out which dystopia, galaxy, or desert wasteland you’d actually make it out of alive.

The Matrix
Mad Max
Blade Runner
Dune
Star Wars

TEST YOUR SURVIVAL →

01
You sense something is deeply wrong with the world around you. What do you do?
The first instinct is often the truest one.

APull on every thread until I understand the system — then figure out how to break it.
BStop asking questions and start stockpiling — food, fuel, weapons. Questions don’t keep you alive.
CKeep my head down, observe carefully, and trust no one until I know who’s pulling the strings.
DStudy the patterns. Every system has a rhythm — learn it, and you learn how to survive it.
EFind the people fighting back and join them. You can’t fix a broken galaxy alone.

NEXT QUESTION →

02
In a world of scarcity, what resource do you guard most fiercely?
What we protect reveals what we believe survival actually requires.

AKnowledge. If you understand the system, you don’t need resources — you can generate them.
BFuel. Everything else — movement, power, escape — runs on it.
CTrust. In a world of fakes and informants, a truly reliable ally is rarer than any commodity.
DWater. And after water, information — the two things empires are truly built on.
EShips and credits. The galaxy is big — you survive it by being able to move through it freely.

NEXT QUESTION →

03
What kind of threat keeps you up at night?
Fear is useful data — if you’re honest about what you’re actually afraid of.

AThat reality itself is a lie — that everything I experience has been constructed to keep me compliant.
BA raid. No warning, no mercy — just the roar of engines and then nothing left.
CBeing identified. Once someone with power decides you’re a problem, you’re already out of time.
DBeing outmanoeuvred — losing a political game I didn’t even know I was playing.
EThe Empire tightening its grip until there’s nowhere left to run.

NEXT QUESTION →

04
How do you deal with authority you don’t trust?
Every dystopia has a power structure. Your approach to it determines everything.

ASubvert it from the inside — learn its rules well enough to weaponise them against it.
BIgnore it and stay out of its reach. The further from any power structure, the better.
CAppear to comply while doing exactly what I need to do. Visibility is the enemy.
DManoeuvre within it carefully. You can’t beat a system you refuse to understand.
EResist openly when I have to. Some things are worth the risk of being seen.

NEXT QUESTION →

05
Which environment could you actually endure long-term?
Survival isn’t just tactical — it’s physical, psychological, and very much about where you are.

AUnderground bunkers and server rooms — cramped, artificial, but with access to everything that matters.
BOpen wasteland — brutal sun, no shelter, constant movement. At least the threat is honest.
CA dense, rain-soaked city where you can disappear into the crowd and nobody asks questions.
DMerciless desert — extreme heat, no water, and something enormous living beneath the sand.
EThe fringe — backwater planets and busy spaceports where the Empire’s attention rarely reaches.

NEXT QUESTION →

06
Who do you want in your corner when things fall apart?
The company you keep is the clearest signal of who you actually are.

AA tight crew of believers who’ve seen behind the curtain and have nothing left to lose.
BOne or two people I’d trust with my life. Any more than that and someone talks.
CNobody, ideally. Alliances are liabilities. I work alone unless I have no choice.
DA community bound by shared hardship and mutual survival — people who need each other to last.
EA ragtag team with wildly different skills and total commitment when it counts.

NEXT QUESTION →

07
Where do you draw the line — if you draw one at all?
Every survivor eventually faces a moment that tests what they’re actually made of.

AI won’t harm the innocent — even the ones who’d report me without hesitation.
BI do what I have to to protect the people I’ve chosen. Everything else is negotiable.
CThe line shifts depending on who’s asking and what’s at stake.
DI draw a long-term line — nothing that compromises my people’s future, even if it’d help now.
ESome lines, once crossed, can’t be uncrossed. I know which ones they are.

NEXT QUESTION →

08
What would actually make survival worth it?
Staying alive is one thing. Having a reason to is another.

AWaking others up — dismantling the illusion so no one else has to live inside it.
BFinding somewhere — or someone — worth protecting. A reason to keep moving.
CAnswers. Understanding what I am, what any of this means, before time runs out.
DLegacy — shaping the future in a way that outlasts me by generations.
EFreedom — for myself, for others, for every world still living under someone else’s boot.

REVEAL MY WORLD →

Your Fate Has Been Calculated
You’d Survive In…
Your answers point to the world your instincts were built for. This is the universe your temperament, your survival instincts, and your particular brand of stubbornness were made for.

The Resistance, Zion

The Matrix
You took the red pill a long time ago — probably before anyone offered it to you. You’re a systems thinker who can’t help but notice the seams in things.

You’re drawn to understanding how the system works before figuring out how to break it.
You’d find the Resistance, or it would find you — your instinct for spotting constructed realities is the machines’ worst nightmare.
You function best when you have access to information and the freedom to act on it.
The Matrix built an airtight prison. You’d be the one probing the walls for the door.

The Wasteland

Mad Max
The wasteland doesn’t reward the clever or the well-connected — it rewards those who are hard to kill and harder to break. That’s you.

You don’t need comfort, community, or a cause larger than the next horizon.
You need a vehicle, a clear threat, and enough fuel to outrun it — and you’re good at all three.
You are unsentimental enough to survive that world, and decent enough — just barely — to be something more than another raider.
In the wasteland, that distinction is everything.

Los Angeles, 2049

Blade Runner
You’d survive here because you know how to exist in moral grey areas without losing yourself completely.

You read people accurately, keep your circle small, and ask the questions others prefer not to answer.
In a city where humanity is a legal designation rather than a feeling, you hold onto something that keeps you functional.
You’re not a hero. But you’re not lost, either.
In Blade Runner’s world, that distinction is everything.

Arrakis

Dune
Arrakis is the most hostile environment in the known universe — and you are precisely the kind of person it rewards.

Patience, discipline, and political awareness are your core strengths — and on Arrakis, they’re survival tools.
You understand that the long game matters more than any single victory.
Others come to Dune and are consumed by it. You’d learn its logic and earn its respect.
In time, you wouldn’t just survive Arrakis — you’d begin to reshape it.

A Galaxy Far, Far Away

Star Wars
The galaxy far, far away is vast, loud, and in a constant state of violent political upheaval — and you wouldn’t have it any other way.

You find meaning in being part of something larger than yourself — a cause, a crew, a rebellion.
You’d gravitate toward the Rebellion, or the fringes, or whatever pocket of the galaxy still believes the Empire’s grip can be broken.
You fight — not because you have to, but because standing aside isn’t something you’re capable of.
In Star Wars, that willingness is what makes all the difference.

↻ RETAKE THE QUIZ

How Successful Was ‘The Mask’?

The Mask was a massive success, especially considering how risky it looked on paper at the time, with two leads who were by no means household names, and visual effects galore. It was made for around $23 million and grossed about $351 million worldwide, which is an enormous return. Domestically, it made about $119 million, and internationally, it added around $232 million. It was also a huge career-maker for Carrey and Diaz. Carrey had already broken out that same year with Ace Ventura: Pet Detective, but The Mask helped prove he could carry a big, effects-driven studio movie. When you watch Ace Ventura, there’s a raw and low-budget feel to it. The Mask felt glossy and like a proper Hollywood picture, while Diaz’s entrance into the Edge City bank is still one of the most memorable on-screen debuts in movie history. Critically, it landed well, too. The effects, Carrey’s performance, and the live-action cartoon feel were all praised, and the film earned an Oscar nomination for Best Visual Effects.

Stay tuned for more from our interview with Russell for the latest edition of Collider Rewind.

Release Date

July 29, 1994

Runtime

101 minutes

Director

Chuck Russell

Writers

Mike Werb, Michael Fallon, Mark Verheiden

Producers

Deborah Moore, Mike Richardson

Stanley Ipkiss / The Mask

Peter Riegert

Mitch Kellaway