Minka Kelly Isn’t The Only One Losing It After Lazy, Repetitive Thriller
Jun 23, 2024
Summary
Minka Kelly’s acting in
Blackwater Lane
fails to engage viewers with only three repetitive expressions.
The script spells out every detail, lacking subtlety and originality in an oversaturated plot full of clichés.
Blackwater Lane
‘s lack of trust in the audience is evident in its repetitive flashbacks and overly-explanatory dialogue, making for a frustrating viewing experience.
It takes a lot for me to watch a film and immediately think it’s one of the best films I have ever seen. It might be even more of a feat, however, for a film to simultaneously repulse and bore me so much that, within all the muck released every year, I am pushed to think that this may indeed be one of the worst pieces of cinema that I have laid eyes on. The latter was the case with Jeff Celentano’s drab thriller Blackwater Lane.
Blackwater Lane (2024) Director Jeff Celentano Release Date June 21, 2024 Writers Elizabeth Fowler , B.A. Paris Cast Dermot Mulroney , Maggie Grace , Minka Kelly , Natalie Simpson , Edward Baker-Duly , Pandora Clifford , Kris Johnson , Henry William Galpin
In the first ten minutes of what will be a slog of an hour and 48-minute runtime, Blackwater Lane introduces us to uninteresting protagonist Cass, who is soullessly played by Minka Kelly. Surrounding Cass are her good-for-nothing husband, Matthew (Dermot Mulroney), and her seemingly supportive friend Rachel (Maggie Grace), who continue to be as grating as they are in the early minutes. The plot then kicks off when the laissez-faire Cass sees a woman alone in a car on a stormy night and proceeds to drive home without helping her.
Blackwater Lane Main Cast Character They Play Minka Kelly Cass Maggie Grace Rachel Dermot Mulroney Matthew Natalie Simpson DC Lawson Edward Baker-Duly Dr. Deakins Kris Johnson Alex Walters Judah Cousin Andrew
Minka Kelly Is Unwatchable
The actress offers a limited range of expression
Minka Kelly’s performance in Blackwater Lane is just about as confounding as her character, who shows no concern for the woman (Jane Walters) she sees at the side of the road, and who later turns out to have been murdered. If I’m being generous, she brings about three expressions to the table: A generic scared face, a confused glance, and a neutral stare. For the latter emotion, Celentano likely intends to create enticing ambiguity or an illuminating blankness, but accomplishes neither. Instead, we’re left with a vagueness that disconnects us from the lead.
Related The Friday Night Lights Character Minka Kelly Originally Auditioned For Minka Kelly is known for playing Lyla Garrity on the hit series Friday Night Lights, yet she initially auditioned for a very different role.
The way Cass is written does no favors for Kelly in the role. Less than 10 minutes in, Blackwater Lane launches us into the unstable psyche of a character we just met and have no insight into. Though part of the plot involves the character being gaslit, a huge chunk of the tension lies in the fact that Cass has a terrible memory. And it’s not in the interesting, unreliable narrator type of way. She just cannot remember stuff, a trait the film comes back to whenever it’s convenient.
Blackwater Lane Doesn’t Trust Its Audience
The script spells out everything for us
Though our protagonist has a habitual issue with forgetting events, she does remember one thing — the night she drove by Jane Walters. Blackwater Lane intends to show Cass’ trauma by bringing viewers back to the event, but it does so eight times. I know this number because I started taking a tally after the film flashed back to it a second time within the first 20 minutes. I was both irritated and amused each time the same shot would appear again, as the film lazily made its way through its scenes.
Blackwater Lane
constantly dumbs things down for its audience.
The car scene is not the only way Blackwater Lane constantly dumbs things down for us. Every time there might be a moment of ambiguity, mystery, or intrigue — must-haves for a good thriller movie — the Elizabeth Fowler-penned script (adapted from the book by B.A. Harris) assures we understand by having the characters speak the plot out loud. Coupled with expressionless delivery, these moments of dialogue are comically bad.
Blackwater Lane Subverts Nothing & Reverts To Every Trope Imaginable
The film is derivative of much better films and TV shows
If the lazy scripting and oversaturation of identical scenes were not enough, Blackwater Lane also lacks any sense of novelty. The film borrows from the kind of unseen terrors in Invisible Man or the mental health and marital fractures displayed in the series Behind Her Eyes, but offers nothing new. Instead, it presents a distilled version of these existing tropes, building to a characteristically over-explicated conclusion. To make it even more unsubtle, Blackwater Lane reverts to the age-old “dark and stormy night” opening as a major jumping-off point, a harbinger of doom for the character and audience.
Blackwater Lane is now playing in theaters and is available on demand and digital. The film is rated PG-13 for violent content, thematic elements involving suicide, sexuality and terror.
Minka Kelly, Dermot Mulroney and Maggie Grace star in Blackwater Lane, a supernatural thriller based on the wildly successful New York Times bestselling book by B.A. Paris. After witnessing a tragedy on a dangerous country road, Cass is visited by a ghostly presence and begins to question her sanity. As these otherworldly experiences intensify, Cass is driven closer to the brink until she begins to assemble the pieces of a horrific plot against her.
Publisher: Source link
Dishonest Media Under the Microscope in Documentary on Seymour Hersh
Back in the 1977, the legendary investigative journalist Seymour Hersh shifted his focus from geopolitics to the world of corporate impropriety. After exposing the massacre at My Lai and the paid silencing of the Watergate scandal, Hersh figured it was…
Dec 19, 2025
Heart, Hustle, and a Touch of Manufactured Shine
Song Sung Blue, the latest biographical musical drama from writer-director-producer Craig Brewer, takes a gentle, crowd-pleasing true story and reshapes it into a glossy, emotionally accessible studio-style drama. Inspired by Song Sung Blue by Greg Kohs, the film chronicles the…
Dec 19, 2025
After 15 Years, James L. Brooks Returns With an Inane Family Drama
To say James L. Brooks is accomplished is a wild understatement. Starting in television, Brooks went from early work writing on My Mother the Car (when are we going to reboot that?) to creating The Mary Tyler Moore Show and…
Dec 17, 2025
Meditation on Greek Tragedy Explores Identity & Power In The 21st Century [NYFF]
A metatextual exploration of identity, race, privilege, communication, and betrayal, “Gavagai” is a small story with a massive scope. A movie about a movie which is itself an inversion of classic tropes and themes, the film exists on several levels…
Dec 17, 2025







