imagiNATIVE 2026 FILM REVIEW! Leave it to a Sámi filmmaker to find the comedy in a three-way jurisdictional standoff at the exact point where Norway, Sweden, and Finland share the same patch of dirt. Director Johannes Vang’s Borderline takes the absurd question of who’s responsible when a crime straddles multiple borders and turns it into twelve minutes of inspired chaos.
A Norwegian customs officer (Øystein Martinsen) is doing his rounds at the remote Three-Country Cairn — the exact point where Norway, Sweden, and Finland converge. Suddenly, he gets a call on his walkie-talkie: illegal fishing. He catches the culprit, an elderly Finnish man (Sverre Porsanger) casting lines right into Norwegian waters. The officer demands that the man stop and threatens to confiscate his catch and his fishing pole. Unfortunately, the Finnish/Norwegian language barrier turns the whole confrontation into a series of confused stares and stubborn silence. As luck would have it, he spots a young Swedish woman (Ayla Nutti) nearby and conscripts her as a translator. What starts as a petty jurisdictional squabble quickly spirals into an argument over fishing licenses, border authority, and an escaped convict.

“He catches the culprit, an elderly Finnish man (Sverre Porsanger) casting lines right into Norwegian waters.”
Shot at the actual Three-Country Cairn, the silly, intellectually slapstick comedy will have your head spinning with laughter. Filmmaker Johannes Vang’s inspiration came from living in a region where three national borders converge, and wondering about the legal gray zones that are created. He wondered, “Who is actually responsible if you commit a crime on both sides of the line simultaneously?”
In the end, Vang’s Borderline puts global politics in the hands of three ordinary citizens, with humorous results.
Borderline screened at the 2026 ImagineNATIVE Film Festival.