âIf We’re Not Still Excited by Cinemaâs Untapped Potential, Then We’re in Troubleâ: Mark Jenkin on “Rose of Nevada”
In 2012, Mark Jenkin wrote his self-proclaimed manifesto “Silent Landscape Dancing Grain 13,”...
‘Brilliant Minds’ Zachary Quinto on How Complicated Things Will Get for Oliver and Josh: “Their Working Relationship Changes”
[Editor’s note: The following contains spoilers for Season 2 of Brilliant Minds.] Summary...
NYFF Title Howard Brooknerâs âRobert Wilson and the Civil WarsâFilmmaker Magazine
Robert Wilson and the Civil Wars While many (likely most) maverick artists have...
I Was on My Tom Cruise Sh*t
Summary Collider’s Steve Weintraub chats with Regina Hall, Teyana Taylor, and Chase Infiniti...
“Shooting on Film Felt RightâJoyâs an Analog Lady”: Nathan Silver on His NYFF Documentary Short, “Carol & Joy”
Carol and Joy In 1971, Jean Eustache set a camera in front of...
Alex Winter Stole Anthony Carrigan from James Gunn’s ‘Superman’ For His New Movie
Summary Collider’s Steve Weintraub moderates a Q&A with director and actor Alex Winter...
âI Needed to Rely on What I Knewâ: Lucrecia Martel on Her First Documentary, “Landmarks”
Landmarks “To tell you the truth, I was actually quite scared about making...
“We Link the Shows Thematically”
[Editor’s note: The following contains major spoilers for The Terminal List: Dark Wolf.]...
“I Kind of Think Like a Rock Band”: Hal Hartley on Self-Distribution, Personal Filmmaking and His New Feature, “Where to Land”
Where to Land Hal Hartley’s Where to Land, his first feature in 11...
âGrief in a Beautiful Placeâ: LucÃa Aleñar Iglesias on Her TIFF World Premiere Forastera
Forastera The carefree, meandering pace of summertime suddenly takes the form of a...
“The Last Three Episodes Are So Big”
[Editor’s note: The following contains spoilers for Season 2 of Peacemaker.] Summary Season...