If there’s a lesson to be learned from David Gordon Green’s trilogy of “Halloween” legacy-quels, it’s to quit while you’re ahead. His 2018 “Halloween” (a direct sequel to the original 1978 masterpiece and a ret-con of its many, many follow-ups) was a surprisingly effective combination of slasher reanimation and reconsideration, taking the horrors of that Halloween night, and its psychological effects on its survivors and the town where they happened, with uncommon seriousness (yet with flashes of self-awareness and humor).
Continue reading ‘Halloween Ends’: Pretty Please? Promise? [Review] at The Playlist.