“… The Visual Approach of the Documentary is Deeply Influenced by Amish and Mennonite Norms”: Elaine Epstein on her SXSW-Premiering Arrest the Midwife
Arrest the Midwife As its nonsensical title might imply, Elaine Epstein’s Arrest the...
“Women Like Gail are Often Vilified in the Media as Cold-Blooded Killers and Even Monsters”: Jessica Earnshaw on her SXSW-Debuting Baby Doe
Baby Doe Baby Doe is the latest from Jessica Earnshaw, whose Jacinta won...
“Intersex People Don’t Need To Be Fixed”: Grace Hughes-Hallett on The Secret of Me
The Secret of Me A seemingly breakthrough medical innovation from the ’60s set...
“This is Part of Where Our Title Came From — the Amount That Women are Censored”: Annapurna Sriram On Her SXSW-Premiering Fucktoys
Fucktoys While sitting on a raft in the middle of a Southern swamp,...
“Miami is the City of Hustle”: Jing Ai Ng on SXSW 2025 Premiere Forge
Forge Common associations audiences might have with Miami: ruise lines, café con leche,...
“I’ve Been Trying to Coin the Phrase ‘Hangout Horror’”: Alexander Ullom on SXSW 2025 Premiere It Ends
It Ends In the last decade, a growing number of films and TV...